Art and Homosexuality: A History of Ideas

Front Cover
Oxford University Press, 2011 M05 26 - 304 pages
This bold, globe-spanning survey is the first book to thoroughly explore the radical, long-standing interdependence between art and homosexuality. It draws examples from the full range of the Western tradition, including classical, Renaissance, and contemporary art, with special focus on the modern era. It was in the modern period, when arguments about homosexuality and the avant-garde were especially public, that our current conception of the artist and the homosexual began to take shape, and almost as quickly to overlap. Not a chronology of gay or lesbian artists, the book is a fascinating and sophisticated account of the ways two conspicuous identities have fundamentally informed one another. Art and Homosexuality discusses many of modernism's canonical figures--painters like Courbet, Picasso, and Pollock; writers like Whitman and Stein--and issues, such as the rise of abstraction, the avant-garde's relationship to its patrons and the political exploitation of art. It shows that many of the core ideas that define modernism are nearly indecipherable without an understanding of the paired identities of artist and homosexual. Illustrated with over 175 b/w and color images that range from high to popular culture and from Ancient Greece to contemporary America, Art and Homosexuality punctures the platitudes surrounding discussions of both aesthetics and sexual identity and takes our understanding of each in stimulating new directions.
 

Contents

An Overview
1
CHAPTER 1 VARIETIES OF HOMOSEXUALITY VARIETIES OF ART
11
CHAPTER 2 BEFORE MODERNISM
37
ART AND SEXUAL IDENTITY IN THE LATE NINETEENTH CENTURY
69
CHAPTER 4 SECRETS AND SUBCULTURES 19001940
105
CHAPTER 5 THE SHORT TRIUMPH OF THE MODERN 194065
149
CHAPTER 6 THE AVANTGARDE AND ACTIVISM 196582
179
CHAPTER 7 THE AIDS DECADE 198292
207
CHAPTER 8 QUEER AND BEYOND
229
Bibliography and Notes
257
Index
281
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About the author (2011)

Christopher Reed is Associate Professor of English and Visual Culture at Pennsylvania State University. His previous books include Not at Home: The Suppression of Domesticity in Modern Art and Architecture and Bloomsbury Rooms: Modernism, Subculture, and Domesticity, winner of a 2005 Historians of British Art prize.

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