D.H. Lawrence and Modernism

Aaron's Rod abstract aesthetic Anna architecture Arnoldian become Birkin Brangwen Chapter Chatterley classicism classicist culture Connie Connie's consciousness contemporary critics Cyril D. H. Lawrence England English evoke F. R. Leavis female fiction formal genre George Eliot Georgian German Gothic modernism Gudrun Harmondsworth Hereafter abbreviated human imagery Imagist Jessie Chambers Joyce's Kate Kate's labour Lady Chatterley's Lover language later Lawrence's novel Lawrentian Lettie Lilly literary Loerke London male pseudo-couple mass-culture Mellors metaphor Miriam mode modernist Morel myth mythic method narrative narrator Nethermere novelistic once Parkin Paul Plumed Serpent poetry politics precisely prose Quetzalcoatl Rainbow Raymond Williams reader reading realism relation relationship repudiation rhetoric Rod and Kangaroo Samuel Beckett Saxton seems sense sexual Siegmund Skrebensky social Sons and Lovers structure T. E. Hulme T. S. Eliot textual thematic tradition turns Ulysses Ursula utopian Waste Land White Peacock woman womb Women in Love writing