Iconic Turns: Nation and Religion in Eastern European Cinema since 1989This book contains analyses of the relations between religious and national themes in post-1989 East European cinema. It combines theoretical articles with case studies, bringing together researchers from different national backgrounds and disciplines, like history, literary and film studies. |
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Contents
Introduction
| 1 |
A Historical Survey | 33 |
Part One Institutional Powers
| 63 |
The Russian Orthodox Church and Patriotic Culture in the 2000s
| 65 |
Sacralizing National History and Nationalizing Religion | 81 |
State and Orthodox Church in Russian Religious Films | 99 |
Metropolitan Andrey Sheptytsky
in Oles Yanchuks Vladyka Andrey | 121 |
Part Two Sacred and Profane Images
| 137 |
The Godless Czechs? Cinema Religion
and Czech National Identity | 159 |
Immanence and
Transcendence in Györgi Pálfis Films | 183 |
Part Three Conflict Trauma and Memory
| 199 |
Post1989 Movies about PolishJewish Relations in Times of German
Extermination Politics | 201 |
Polish Documentary Films about the Smolensk Plane Crash
| 217 |
The Case
of PostYugoslav AntiWar Films | 237 |
251 | |
Heroes Saints and Martyrs
in Contemporary Russian Cinema | 139 |
Other editions - View all
Iconic Turns: Nation and Religion in Eastern European Cinema Since 1989 Liliya Berezhnaya,Christian Schmitt No preview available - 2013 |
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