Antoine Busnoys: Method, Meaning, and Context in Late Medieval MusicPaula Marie Higgins Clarendon Press, 1999 - 599 pages Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music brings together twenty original essays by scholars on the life, works, and cultural context of Antoine Busnoys (d. 1492), musician to Charles the Bold, duke of Burgundy. These discussions of the musical culture of Busnoys and his contemporaries reaffirm that the study of early music continues to afford an array of new perspectives and approaches broadly applicable to music of all periods. |
Contents
The Function | 53 |
On the Origins Contexts and Implications of Busnoyss | 71 |
The Sword the Altar | 89 |
INTERTEXTUAL CONTEXTUAL | 131 |
68 | 153 |
A Tale of | 155 |
Mensural Intertextuality in the Sacred Music of Antoine Busnoys | 175 |
89 | 181 |
Busnoys and Caron in Documents from Brussels | 295 |
Conflicting Attributions and Anonymous Chansons in | 317 |
READING THE THEORISTS | 359 |
Appendix A Thirtyone Harmonic Fifths in Busnoyss ThreePart | 384 |
Reading Tinctoris for Guidance on Tempo Alexander Blachly | 399 |
Henricus Isaac and Fortuna desperata Martin Picker | 431 |
Teacher and Student? Allan W Atlas | 447 |
New Light on Fortuna | 465 |
119 | 201 |
Regarding Busnoyss Conception | 215 |
122 | 225 |
ISSUES OF AUTHORSHIP ATTRIBUTION | 255 |
An Ockeghem Work | 277 |
The Evidence of Two Songs Joshua Rifkin | 505 |
Notes on Contributors | 573 |
586 | |
Common terms and phrases
altus Amours anonymous Antoine Busnois appears ascriptions attributed to Busnoys authorship Begue Biblioteca bien breve Bruges Brussels Burgundian Burgundian court Burgundy Busnoys's cadence canon cantus firmus Cappella Giulia Caron century ceremony chansons chapel Charles choirboys church composer composition contratenor Cornides David Fallows diminished fifths documents Domarto Dufay edition fifteenth fifteenth-century Florence 229 Florentine Chansonnier Fortuna desperata hydraulis ibid imitation Isaac Italian Jacob Obrecht Japart Jean Johannes Johannes Ockeghem Johannes Tinctoris Josquin L'homme armé masses Late Medieval liturgical Magnificat manuscript melodic mensural Missa L'homme armé Missa Spiritus almus motet Naples notation Obrecht Ockeghem original papal Paris Paula Higgins Philippe piece Pixérécourt Poitiers Poliziano polyphonic pope quod Reinhard Strohm Renaissance repertory Resjois Richard Taruskin Rome rondeau Rose und Schwert Saint-Hilaire-le-Grand Scribe Segovia semibreve setting Seville-Paris song sources Strohm superius sword Taruskin tenor Tinctoris Tinctoris's tion verse virelai voices vols Wegman