Kampos: Cambridge Papers in Modern Greek, Issues 9-10Modern Greek Section, Faculty of Modern and Medieval Languages, University of Cambridge, 2002 |
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Page 23
... Elytis's poetics and for the way in which he perceives the poetry of others " . Though Elytis's views concerning prismatic and plane poetic expression are outlined for the first time in " Romanos the Melodist " ( see Elytis 1992 : 33-56 ) ...
... Elytis's poetics and for the way in which he perceives the poetry of others " . Though Elytis's views concerning prismatic and plane poetic expression are outlined for the first time in " Romanos the Melodist " ( see Elytis 1992 : 33-56 ) ...
Page 25
... Elytis , sets one thinking ( Bάɛɩ œ noλλég okéweig ) . Elytis does not reject this poetry but considers it as being outside the true Greek tradition . Without explicitly saying so , Elytis makes it clear that he favours the tradition of ...
... Elytis , sets one thinking ( Bάɛɩ œ noλλég okéweig ) . Elytis does not reject this poetry but considers it as being outside the true Greek tradition . Without explicitly saying so , Elytis makes it clear that he favours the tradition of ...
Page 26
... Elytis places firmly within the prismatic poetic tradition in various other essays . Nor are we surprised to find verses by , for example , Dylan Thomas , about whom Elytis says : " ... I feel a great affinity with Dylan Thomas ...
... Elytis places firmly within the prismatic poetic tradition in various other essays . Nor are we surprised to find verses by , for example , Dylan Thomas , about whom Elytis says : " ... I feel a great affinity with Dylan Thomas ...
Contents
Carte blanche | 21 |
Sculpture and stones in the poetry of Seferis and Ritsos | 37 |
constructing | 65 |
Copyright | |
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according activities already ancient appears Argaki Athens authority become bibliography books printed Cambridge catalogue century church cinema classical collected College colonial communication concerning continued countries cultural Cypriot Cyprus described discussed early economic edition Elytis essay European example experience fact feel film production forced function German Greece hand head houses important included interest island issue Italy land language late later Legrand lines living London lost major March means memory Modern Greek Mythistorema Nicosia notes Occupation Ottoman particularly past period persons poem poet poetic expression poetry political possible present Press printed prismatic probably production publication published reference refugees remain Ritsos says sculpture seems seen Seferis statues stones Studies symbol Tel Aviv University tradition translation treasure University Venetian Venice village volumes writings written και του