Kampos: Cambridge Papers in Modern Greek, Issues 9-10Modern Greek Section, Faculty of Modern and Medieval Languages, University of Cambridge, 2002 |
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Page 49
... hands and that the hands return to him chopped off implies that it is in the hands that the poet feels the pressure of the past as represented by the statues , because for the poet as for the craftsman - an association that Seferis ...
... hands and that the hands return to him chopped off implies that it is in the hands that the poet feels the pressure of the past as represented by the statues , because for the poet as for the craftsman - an association that Seferis ...
Page 56
... hand lightly on your shoulder . ( tr . K. Friar ) 34 As we can see , this poem makes of marble and statues the very foundation of today's world . The imagery related to the statues is comparable to that of Mythistorema 21 , discussed ...
... hand lightly on your shoulder . ( tr . K. Friar ) 34 As we can see , this poem makes of marble and statues the very foundation of today's world . The imagery related to the statues is comparable to that of Mythistorema 21 , discussed ...
Page 65
... hand , and other tomes to cover , in one way or another , the early period before the beginning of the yearly reports . The size of the yearly volume , I remember , usually reflects with reasonable accuracy the size of that country's ...
... hand , and other tomes to cover , in one way or another , the early period before the beginning of the yearly reports . The size of the yearly volume , I remember , usually reflects with reasonable accuracy the size of that country's ...
Contents
Carte blanche | 21 |
Sculpture and stones in the poetry of Seferis and Ritsos | 37 |
constructing | 65 |
Copyright | |
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according activities already ancient appears Argaki Athens authority become bibliography books printed Cambridge catalogue century church cinema classical collected College colonial communication concerning continued countries cultural Cypriot Cyprus described discussed early economic edition Elytis essay European example experience fact feel film production forced function German Greece hand head houses important included interest island issue Italy land language late later Legrand lines living London lost major March means memory Modern Greek Mythistorema Nicosia notes Occupation Ottoman particularly past period persons poem poet poetic expression poetry political possible present Press printed prismatic probably production publication published reference refugees remain Ritsos says sculpture seems seen Seferis statues stones Studies symbol Tel Aviv University tradition translation treasure University Venetian Venice village volumes writings written και του