Kampos: Cambridge Papers in Modern Greek, Issues 9-10Modern Greek Section, Faculty of Modern and Medieval Languages, University of Cambridge, 2002 |
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Page 48
... line 4 shows . What is more , the forced relationship with it is explicitly stated in line 2 : the head is unbearable , the ... lines that follow . The speaker actively engages in communicating with this fragmented head by looking at it ...
... line 4 shows . What is more , the forced relationship with it is explicitly stated in line 2 : the head is unbearable , the ... lines that follow . The speaker actively engages in communicating with this fragmented head by looking at it ...
Page 57
... ( lines 4-5 , especially " χαμηλά , στον κάμπο " ) to an aesthetic perception of it ( lines 7-10 and especially " μένεις στα ψηλά " ) . This uplifting experience , which is certainly due to the presence of the ancient relics , is ...
... ( lines 4-5 , especially " χαμηλά , στον κάμπο " ) to an aesthetic perception of it ( lines 7-10 and especially " μένεις στα ψηλά " ) . This uplifting experience , which is certainly due to the presence of the ancient relics , is ...
Page 59
... ( lines 12-3 ) ; or again : " είχανε παζευτεί πολλοί , μερμήγκια , / και τη χτυπούσαν με κοντάρια και δεν τη λαβώναν ” ( lines 39-40 ) . Compare also with what Seferis writes in his essay " Δελφοί " ( 1961 ) : “ Έχουμε δουλέψει σαν τα ...
... ( lines 12-3 ) ; or again : " είχανε παζευτεί πολλοί , μερμήγκια , / και τη χτυπούσαν με κοντάρια και δεν τη λαβώναν ” ( lines 39-40 ) . Compare also with what Seferis writes in his essay " Δελφοί " ( 1961 ) : “ Έχουμε δουλέψει σαν τα ...
Contents
Carte blanche | 21 |
Sculpture and stones in the poetry of Seferis and Ritsos | 37 |
constructing | 65 |
Copyright | |
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