Kampos: Cambridge Papers in Modern Greek, Issues 9-10Modern Greek Section, Faculty of Modern and Medieval Languages, University of Cambridge, 2002 |
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Page 24
... poetic expression , words are never on the same plane but undulate . The poetic text is organised around certain " nuclei " which stand out like peaks within the poem and which , in retrospect , can be seen to hold the poem together ...
... poetic expression , words are never on the same plane but undulate . The poetic text is organised around certain " nuclei " which stand out like peaks within the poem and which , in retrospect , can be seen to hold the poem together ...
Page 48
... poem 21 have to come to terms with the relics they encounter . This is indeed confirmed in the lines that follow . The speaker actively engages in communicating with this fragmented head by looking at it , speaking to it and touching it ...
... poem 21 have to come to terms with the relics they encounter . This is indeed confirmed in the lines that follow . The speaker actively engages in communicating with this fragmented head by looking at it , speaking to it and touching it ...
Page 53
... poem is the complete opposite of what we saw in Seferis . In Mythistorema stones have negative connotations , confirming that the landscape of the poem has lost its vitality and its creativity . What Seferis sees in them is inorganic ...
... poem is the complete opposite of what we saw in Seferis . In Mythistorema stones have negative connotations , confirming that the landscape of the poem has lost its vitality and its creativity . What Seferis sees in them is inorganic ...
Contents
Carte blanche | 21 |
Sculpture and stones in the poetry of Seferis and Ritsos | 37 |
constructing | 65 |
Copyright | |
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