Kampos: Cambridge Papers in Modern Greek, Issues 9-10Modern Greek Section, Faculty of Modern and Medieval Languages, University of Cambridge, 2002 |
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Page 53
... stone , on which a young man at noon leaned his feet , is a Patroclos , with shadowed , closed eyelashes . ( tr . K. Friar ) 29 The function of the stones in this poem is the complete opposite of what we saw in Seferis . In Mythistorema ...
... stone , on which a young man at noon leaned his feet , is a Patroclos , with shadowed , closed eyelashes . ( tr . K. Friar ) 29 The function of the stones in this poem is the complete opposite of what we saw in Seferis . In Mythistorema ...
Page 54
... stones . But in the second part stones are celebrated as the very essence of memory , the agents which include within the forms or shadows of the past ( a Victory , Artemis's hound , the face of Patroclus ) . Here a mere functional ...
... stones . But in the second part stones are celebrated as the very essence of memory , the agents which include within the forms or shadows of the past ( a Victory , Artemis's hound , the face of Patroclus ) . Here a mere functional ...
Page 55
... stones seem to liberate the creative drive of the artist , his desire for expression and communication and , above all , his wish " to remain " , as Cavafy would have put it . The poems that follow confirm the appropriation of stones ...
... stones seem to liberate the creative drive of the artist , his desire for expression and communication and , above all , his wish " to remain " , as Cavafy would have put it . The poems that follow confirm the appropriation of stones ...
Contents
Carte blanche | 21 |
Sculpture and stones in the poetry of Seferis and Ritsos | 37 |
constructing | 65 |
Copyright | |
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