A View of the English Stage: Or, A Series of Dramatic CriticismsG. Bell & sons, 1906 - 358 pages |
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Page xxii
... use I please of what I have hitherto written , with the single exception of The Char- acters of Shakespeare's Plays . April 24 , 1818 . W. HAZLITT . BIBLIOGRAPHICAL NOTE . THIS book - of which the full xxii Author's Preface .
... use I please of what I have hitherto written , with the single exception of The Char- acters of Shakespeare's Plays . April 24 , 1818 . W. HAZLITT . BIBLIOGRAPHICAL NOTE . THIS book - of which the full xxii Author's Preface .
Page 2
... Shakespeare's verse . 2 [ After the play we were rejoiced to see the sterling farce of The Apprentice revived , in which Mr. Bannister was eminently successful . 1 Miss Sarah Smith - who married Mr. Bartley August 21 , 1814 - was Portia ...
... Shakespeare's verse . 2 [ After the play we were rejoiced to see the sterling farce of The Apprentice revived , in which Mr. Bannister was eminently successful . 1 Miss Sarah Smith - who married Mr. Bartley August 21 , 1814 - was Portia ...
Page 4
... Shakespeare ) than that given by this very admirable tragedian ; but we cannot imagine any character represented with greater dis- tinctness and precision , more perfectly articulated in every part . Perhaps , indeed , there is too much ...
... Shakespeare ) than that given by this very admirable tragedian ; but we cannot imagine any character represented with greater dis- tinctness and precision , more perfectly articulated in every part . Perhaps , indeed , there is too much ...
Page 5
... Shakespeare , and should not be out of the actor's mind for a moment . The restless and sanguinary Richard is not a man striving to be great , but to be greater than he is ; conscious of his strength of will , his powers of intellect ...
... Shakespeare , and should not be out of the actor's mind for a moment . The restless and sanguinary Richard is not a man striving to be great , but to be greater than he is ; conscious of his strength of will , his powers of intellect ...
Page 9
... Shakespeare points out the manner in which the voice should dwell upon , and as it were , brood over the feeling ... Shakespeare's idea of the part . The description which he has put into the mouth of Hastings , is a perfect study for ...
... Shakespeare points out the manner in which the voice should dwell upon , and as it were , brood over the feeling ... Shakespeare's idea of the part . The description which he has put into the mouth of Hastings , is a perfect study for ...
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acting action actor admirable allusion appearance applause audience Bartley beautiful Beggar's Opera better Bruges character Charles Kemble comedy comic Comus Coriolanus Covent Garden critics début delight display Dowton dramatic Drury Lane Drury-Lane Duke effect English equal excellent expression farce favour favourite feeling gaiety Garrick genius gentleman give grace Hamlet Haymarket Haymarket Theatre Hazlitt humour Iago Ibid imagination indifferent interest Kean Kean's Kemble Kemble's King Lady Liston look Lord lover Macbeth manner Mardyn mind Miss Kelly Miss O'Neill Miss Stephens Molière moral Munden nature never night O'Neill's October Othello pantomime passages passion perfect performance person piece play plot poet produced revived Richard Richard III Romeo scene seems sense sentiment Shakespeare Shylock Siddons singing Sir Giles song soul spirit stage sung Theatre theatrical thing thou thought tion tone tragedy voice whole Wife words young
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