A View of the English Stage: Or, A Series of Dramatic CriticismsG. Bell & sons, 1906 - 358 pages |
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Page ix
... Theatre ; L. = Lyceum . ) From The Morning Chronicle . PAGE Mr. Kean's Shylock ( Merchant of Venice ) D.L. , Jan. 26 , 18141 The Apprentice I 22 99 " " " " 99 99 Physic ) . Mr. Kean's Shylock ( Merchant of Venice ) Mr. Kean's Richard ...
... Theatre ; L. = Lyceum . ) From The Morning Chronicle . PAGE Mr. Kean's Shylock ( Merchant of Venice ) D.L. , Jan. 26 , 18141 The Apprentice I 22 99 " " " " 99 99 Physic ) . Mr. Kean's Shylock ( Merchant of Venice ) Mr. Kean's Richard ...
Page xvii
... theatre ' ( Life of M. R. Mitford , ii , 47 n . ) . The editor has not discovered any evidence of this alleged payment in the Drury Lane account books . b aspect . I was in considerable apprehension for the result Author's Preface ...
... theatre ' ( Life of M. R. Mitford , ii , 47 n . ) . The editor has not discovered any evidence of this alleged payment in the Drury Lane account books . b aspect . I was in considerable apprehension for the result Author's Preface ...
Page 1
... Theatre in the character of Shylock . For voice , eye , action , and expression , no actor has come out for many years at all equal to him . The applause , from the first scene to the last , was general , loud , and uninterrupted ...
... Theatre in the character of Shylock . For voice , eye , action , and expression , no actor has come out for many years at all equal to him . The applause , from the first scene to the last , was general , loud , and uninterrupted ...
Page 17
... 1799 , and was stage - manager at the same theatre from 1810 till 1815 . 3 Sarah Smith , afterwards Mrs. Bartley . 4 Thursday , May 5 . C CHis ✓defects as in his former characters . His voice Mr. Kean's Othello . 17 Mr Kean's Othello.
... 1799 , and was stage - manager at the same theatre from 1810 till 1815 . 3 Sarah Smith , afterwards Mrs. Bartley . 4 Thursday , May 5 . C CHis ✓defects as in his former characters . His voice Mr. Kean's Othello . 17 Mr Kean's Othello.
Page 20
... theatre . The takings on his first night amounted to only £ 164 , and on the second night to £ 325 . The average receipts on the sixty - eight nights when he performed during his first season was £ 484 95. , and the average on the ...
... theatre . The takings on his first night amounted to only £ 164 , and on the second night to £ 325 . The average receipts on the sixty - eight nights when he performed during his first season was £ 484 95. , and the average on the ...
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acting action actor admirable allusion appearance applause audience Bartley beautiful Beggar's Opera better Bruges character Charles Kemble comedy comic Comus Coriolanus Covent Garden critics début delight display Dowton dramatic Drury Lane Drury-Lane Duke effect English equal excellent expression farce favour favourite feeling gaiety Garrick genius gentleman give grace Hamlet Haymarket Haymarket Theatre Hazlitt humour Iago Ibid imagination indifferent interest Kean Kean's Kemble Kemble's King Lady Liston look Lord lover Macbeth manner Mardyn mind Miss Kelly Miss O'Neill Miss Stephens Molière moral Munden nature never night O'Neill's October Othello pantomime passages passion perfect performance person piece play plot poet produced revived Richard Richard III Romeo scene seems sense sentiment Shakespeare Shylock Siddons singing Sir Giles song soul spirit stage sung Theatre theatrical thing thou thought tion tone tragedy voice whole Wife words young
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