A View of the English Stage: Or, A Series of Dramatic CriticismsG. Bell & sons, 1906 - 358 pages |
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Page 5
... lost sight of by Shakespeare , and should not be out of the actor's mind for a moment . The restless and sanguinary Richard is not a man striving to be great , but to be greater than he is ; conscious of his strength of will , his ...
... lost sight of by Shakespeare , and should not be out of the actor's mind for a moment . The restless and sanguinary Richard is not a man striving to be great , but to be greater than he is ; conscious of his strength of will , his ...
Page 13
... lost , and always finds some reason to relapse into indolence and thoughtfulness again . For this reason he refuses to kill the King when he is at his prayers , and by a refinement in malice , which is only an excuse for his own want of ...
... lost , and always finds some reason to relapse into indolence and thoughtfulness again . For this reason he refuses to kill the King when he is at his prayers , and by a refinement in malice , which is only an excuse for his own want of ...
Page 16
... lost any of its effect . But whatever nice faults might be found in this scene , they were amply redeemed by the manner of his coming back after he has gone to the extremity of the stage , from a pang of parting tenderness to press his ...
... lost any of its effect . But whatever nice faults might be found in this scene , they were amply redeemed by the manner of his coming back after he has gone to the extremity of the stage , from a pang of parting tenderness to press his ...
Page 20
... Lost , 1678 . 5 Genest says , " This alteration is attributed to Kemble ” ( English Stage , viii , 419 ) . 66 the water , " 1 etc. which prepares the 20 A View of the English Stage . Mr Kean's Iago (Othello) Antony and Cleopatra.
... Lost , 1678 . 5 Genest says , " This alteration is attributed to Kemble ” ( English Stage , viii , 419 ) . 66 the water , " 1 etc. which prepares the 20 A View of the English Stage . Mr Kean's Iago (Othello) Antony and Cleopatra.
Page 23
... lost its sweetness and clearness . " Let not rage thy bosom firing was deservedly and 29 4 1 Miss Catherine Stephens ( 1794-1882 ) , who made her début as Mandane on Sept. 23 , was modestly announced as " a Young Lady , her first ...
... lost its sweetness and clearness . " Let not rage thy bosom firing was deservedly and 29 4 1 Miss Catherine Stephens ( 1794-1882 ) , who made her début as Mandane on Sept. 23 , was modestly announced as " a Young Lady , her first ...
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Common terms and phrases
acting action actor admirable allusion appearance applause audience Bartley beautiful Beggar's Opera better Bruges character Charles Kemble comedy comic Comus Coriolanus Covent Garden critics début delight display Dowton dramatic Drury Lane Drury-Lane Duke effect English equal excellent expression farce favour favourite feeling gaiety Garrick genius gentleman give grace Hamlet Haymarket Haymarket Theatre Hazlitt humour Iago Ibid imagination indifferent interest Kean Kean's Kemble Kemble's King Lady Liston look Lord lover Macbeth manner Mardyn mind Miss Kelly Miss O'Neill Miss Stephens Molière moral Munden nature never night O'Neill's October Othello pantomime passages passion perfect performance person piece play plot poet produced revived Richard Richard III Romeo scene seems sense sentiment Shakespeare Shylock Siddons singing Sir Giles song soul spirit stage sung Theatre theatrical thing thou thought tion tone tragedy voice whole Wife words young
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