A View of the English Stage: Or, A Series of Dramatic CriticismsG. Bell & sons, 1906 - 358 pages |
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Page 12
... morality and manners . The character of Hamlet is itself a pure effusion of genius . It is not a character marked by strength of passion or will , but by refinement of thought and feeling . Hamlet is as little of the hero as a man can ...
... morality and manners . The character of Hamlet is itself a pure effusion of genius . It is not a character marked by strength of passion or will , but by refinement of thought and feeling . Hamlet is as little of the hero as a man can ...
Page 13
... moral perfection of this char- acter has been called in question . It is more natural than conformable to rules ... morality in the ethical delinea- tions of " that noble and liberal casuist , " as Shakespeare has been well called . He ...
... moral perfection of this char- acter has been called in question . It is more natural than conformable to rules ... morality in the ethical delinea- tions of " that noble and liberal casuist , " as Shakespeare has been well called . He ...
Page 14
... his general } Pope , Moral Essays , ii , 17-20 . Pope says " the Cynthia of this minute . " 2 Hamlet , 1 , ii , 85 . 3 Saturday , March 12 . 1 delineation of the character wrong . It was too 14 A View of the English Stage . 284.
... his general } Pope , Moral Essays , ii , 17-20 . Pope says " the Cynthia of this minute . " 2 Hamlet , 1 , ii , 85 . 3 Saturday , March 12 . 1 delineation of the character wrong . It was too 14 A View of the English Stage . 284.
Page 17
... Moral Essays , ii , 52 . 2 James Grant Raymond ( 1768-1817 ) , whose real name was Grant , made his début at Drury Lane in 1799 , and was stage - manager at the same theatre from 1810 till 1815 . 3 Sarah Smith , afterwards Mrs. Bartley ...
... Moral Essays , ii , 52 . 2 James Grant Raymond ( 1768-1817 ) , whose real name was Grant , made his début at Drury Lane in 1799 , and was stage - manager at the same theatre from 1810 till 1815 . 3 Sarah Smith , afterwards Mrs. Bartley ...
Page 26
... moral of the piece ( which some respectable critics have been at a loss to discover ) , is to show the vulgarity of vice ; and that the sophisms with which the great and powerful palliate their violations of integrity and decorum , are ...
... moral of the piece ( which some respectable critics have been at a loss to discover ) , is to show the vulgarity of vice ; and that the sophisms with which the great and powerful palliate their violations of integrity and decorum , are ...
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acting action actor admirable allusion appearance applause audience Bartley beautiful Beggar's Opera better Bruges character Charles Kemble comedy comic Comus Coriolanus Covent Garden critics début delight display Dowton dramatic Drury Lane Drury-Lane Duke effect English equal excellent expression farce favour favourite feeling gaiety Garrick genius gentleman give grace Hamlet Haymarket Haymarket Theatre Hazlitt humour Iago Ibid imagination indifferent interest Kean Kean's Kemble Kemble's King Lady Liston look Lord lover Macbeth manner Mardyn mind Miss Kelly Miss O'Neill Miss Stephens Molière moral Munden nature never night O'Neill's October Othello pantomime passages passion perfect performance person piece play plot poet produced revived Richard Richard III Romeo scene seems sense sentiment Shakespeare Shylock Siddons singing Sir Giles song soul spirit stage sung Theatre theatrical thing thou thought tion tone tragedy voice whole Wife words young
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Page 14 - If folly grow romantic, I must paint it. Come, then, the colours and the ground prepare ! Dip in the rainbow, trick her off in air ; Choose a firm cloud before it fall, and in it Catch, ere she change, the Cynthia of this minute.