A View of the English Stage: Or, A Series of Dramatic CriticismsG. Bell & sons, 1906 - 358 pages |
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Page 3
... style of acting is , if we may use the expression , more significant , more pregnant with meaning , more varied and alive in every part , than any we have almost ever witnessed . The character never stands still ; there is no vacant ...
... style of acting is , if we may use the expression , more significant , more pregnant with meaning , more varied and alive in every part , than any we have almost ever witnessed . The character never stands still ; there is no vacant ...
Page 22
... style and architectural dialogue of Dryden , is abrupt and painful . 2 1 The play was got up with every advantage of external pomp and decoration . Mr. Young , 3 as Mark Antony , ex- hibited a just and impressive picture of the Roman ...
... style and architectural dialogue of Dryden , is abrupt and painful . 2 1 The play was got up with every advantage of external pomp and decoration . Mr. Young , 3 as Mark Antony , ex- hibited a just and impressive picture of the Roman ...
Page 24
... style of the songs in Artaxerxes , simple but elegant , chaste but full of expression , with equal purity , taste , and tenderness . 4 Mr. Liston's acting in Love , Law , and Physic , " was as excellent as it always is . It is hard to ...
... style of the songs in Artaxerxes , simple but elegant , chaste but full of expression , with equal purity , taste , and tenderness . 4 Mr. Liston's acting in Love , Law , and Physic , " was as excellent as it always is . It is hard to ...
Page 25
... style , has enabled him- self to do justice to nature , that is , to give all the force , truth , and locality of real feeling to the thoughts and expressions , without being called to the bar of false taste , and affected delicacy . We ...
... style , has enabled him- self to do justice to nature , that is , to give all the force , truth , and locality of real feeling to the thoughts and expressions , without being called to the bar of false taste , and affected delicacy . We ...
Page 35
... style , which we think incon- sistent with the severe and simple dignity of tragedy . In the last scene , at the tomb with Romeo , 3 which , how- ever , is not from Shakespeare , though it tells admirably on the stage , she did not ...
... style , which we think incon- sistent with the severe and simple dignity of tragedy . In the last scene , at the tomb with Romeo , 3 which , how- ever , is not from Shakespeare , though it tells admirably on the stage , she did not ...
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Common terms and phrases
acting action actor admirable allusion appearance applause audience Bartley beautiful Beggar's Opera better Bruges character Charles Kemble comedy comic Comus Coriolanus Covent Garden critics début delight display Dowton dramatic Drury Lane Drury-Lane Duke effect English equal excellent expression farce favour favourite feeling gaiety Garrick genius gentleman give grace Hamlet Haymarket Haymarket Theatre Hazlitt humour Iago Ibid imagination indifferent interest Kean Kean's Kemble Kemble's King Lady Liston look Lord lover Macbeth manner Mardyn mind Miss Kelly Miss O'Neill Miss Stephens Molière moral Munden nature never night O'Neill's October Othello pantomime passages passion perfect performance person piece play plot poet produced revived Richard Richard III Romeo scene seems sense sentiment Shakespeare Shylock Siddons singing Sir Giles song soul spirit stage sung Theatre theatrical thing thou thought tion tone tragedy voice whole Wife words young
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