Shakespearean Criticism, Volume 72
Cengage Gale, 2003 - 464 pages
Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance.
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action appears argues Ariel audience becomes beginning Caliban calls cause character Christian concern conscience Cordelia course critics daughter death describes Desdemona drama earlier Edgar effect English essay example experience expression eyes fact fall father feel figure final Fool give Gloucester hand heart Henry VIII Henry's Hermione Holinshed human imagination interpretation James jealousy Katherine kind King Lear lago language later Lear's Leontes lines London look madness masque meaning mind Miranda moral nature never opening Othello performance play play's political present Press production Prospero provides question reading reason references relation represents response role says scene seems sense sexual Shake Shakespeare soul speaks speech stage story Studies suffering suggests Tale tells Tempest things thou tion tragedy true truth turn vision Wolsey wonder York