...Venetian republic, f The instruments of the musicians, of which only the more clangous, as the cymbal or the trumpet, had at first been heard, now were...ear with an overpowering peal— an air of war and tri* See I Tallinn's History of the Middle Ages, vol. i. chap. 3. part ii. uraph, to which the voices...

...Venetian republic. t The instruments of the musicians, of which only the more clangous, as the cymbal or the trumpet, had at first been heard, now were...audible ; with each passing moment they waxed louder and • See Hallam's History of the Middle Ages, vol. i. chap. 3. part ii. t The style of the Doges of...

...Venetian republic. The instruments of the musicians, of which only the more clangous, as the cymbal or the trumpet, had at first been heard, now were...audible: with each passing moment they waxed louder and jouder, until they burst on the ear with an overpowering peal — an air of war and triumph, to which...

...And this remained unchanged till Giovanni Delfino, who was elected in 1356. clangous, as the cymbal or the trumpet, had at first been heard, now were...Venice to ring through her hundred islets, and the cymbal and the harp, the shrill trump, the spirit-stirring drum, the ear-piercing fife, gave back a...

...Venetian republic. The instruments of the musicians, of which only the more clangous, as the cymbal or the trumpet, had at first been heard, now were...louder, until they burst on the ear with an overpowering peal—an air of war and triumph, to which the voices of the warriors and mariners formed an accompaniment....