New Theatre Quarterly 30: Volume 8, Part 2Clive Barker, Simon Trussler Cambridge University Press, 1992 M06 4 - 95 pages One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors. |
From inside the book
Results 6-10 of 18
Page 110
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 111
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 112
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 124
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 126
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Contents
Actors Audiences and Theatrical Energy | 107 |
Cole Porter in Britain | 113 |
Armand Gattis Theatre of Social Experiment 19891991 | 123 |
Approaches to Examining Student Performance | 140 |
New Yorks Theatre of Desperation | 146 |
British Strike Plays of the 1920s | 159 |
towards a Feminist Staging of Macbeth | 167 |
Blaho Uhlar and the Slovak Theatre of Crisis | 178 |
NTQ Reports and Announcements | 187 |
NTQ Book Reviews | 195 |
Other editions - View all
Common terms and phrases
actors actresses American Armand Gatti artistic Arts audience Avignon Blaho Uhlár Bolshevik Bolshevik Peril Bratislava Britain British Broadway Calgary called Cameron Mackintosh cast Centre characters Charlot Cochran Cole Porter colour comedy comic costume critical culture Czech Czechoslovakia dance designer director discussion drama dramatherapy event experiment explore feminist film Fleury-Mérogis French Gatti gender Gideon Gilbert and Sullivan improvisation ISBN Jean Kalman John London Macbeth mance Marowitz Marseille masque ment Methuen Miss Saigon musical Musical Theatre Mussolini narrative National Nono Nymph Errant Off-Broadway offered opera performance Peter Brook play playtext playwright political popular presented prisoners production professional theatre programme rehearsal response Revolution revue Rogers Follies role scene season Shakespeare sing Slovak Slovakia social songs spectacle spectators stage stagiaires stars strike style theatrical tion Tony tour tradition tragedy Trnava University Press voice Weyward Sisters witches women workers workshop writing York young