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" Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe. "
The Prose Works of John Milton: With a Life of the Author - Page 279
by John Milton, Charles Symmons - 1806
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The Harvard Classics, Volume 3

1909 - 378 pages
...which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Massoiu. and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a a Lawgivers respectively to Sparta, Athens, the Locrians in southern Italy, and certain cities in Sicily...
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A Variorum Commentary Of The Poems Of John Milton

Merritt Yerkes Hughes - 1970 - 412 pages
...sublime Art which in Aristotles Poetics, in Horace, and the Italian Commentaries ofCastelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true Epic Poem' (Educ; Works, 4, 286), Milton learned, obviously, from many sources; and many of the influences he...
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A Milton Encyclopedia, Volume 8

William Bridges Hunter (Jr.) - 1978 - 226 pages
...Castelvetro, Tasso, Mazzoni, and others," and the "commentators along with Aristotle and Horace* teach "what the laws are of a true Epic Poem, what of a Dramatic, what of a Lyric, what Decorum is . . ." (Educ 4 : 286). The sources overlap and interrelate, with the tragedians' works providing the...
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Beautiful Sublime: The Making of ‘Paradise Lost,’ 1701-1734

Leslie Moore - 1990 - 256 pages
...sublime art which in Aristotles poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of...what of a Lyric, what decorum is, which is the grand master peece to observe" (CPW, 2: 403-5). As Hooker suggests in Dennis, Critical Works, early theorists...
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Renaissance-Poetik

Heinrich F. Plett - 1994 - 460 pages
...sublime art which in Aristotles poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of...true Epic poem, what of a Dramatic, what of a Lyric, [...]." Vgl. auch Miltons "The Reason of Church-Government" (1641). Ibid., pp. 196-197. Heinrich F....
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John Milton: 1628-1731

John T. Shawcross - 1995 - 292 pages
...sublime Art which in Aristotles Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of...what of a Lyric, what Decorum is, which is the grand master-peece to observe. This would make them soon perceive what despicable creatures our common Rimers...
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The English Renaissance: An Anthology of Sources and Documents

Kate Aughterson - 2002 - 628 pages
...suhlime art which in Aristode's Portics, in Horace and the Italian commentaries of Castleveiro, Tasso, Mazzoni and others, teaches what the laws are of a true epic poem. what of a dramatic. what of a lyrie, what decorum is, which is the grand masterpiece to ohserve, This would make them soon perceive...
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The Major Works

John Milton - 2003 - 1012 pages
...in Aristotle's Poesies, in Horace,0 and the Italian commentaries of Castelvetro,0 Tasso,0 Ma22oni0 and others, teaches what the laws are of a true epic...what of a lyric, what decorum is, which is the grand masterpiece to observe. This would make them soon perceive what despicable creatures our common rhymers...
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Aesthetics of Literary Classification

Milind S. Malshe - 2003 - 210 pages
...sublime art which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of...what of a lyric, what decorum is which is the grand masterpiece to observe. "3: The words to be noted in Milton's statement are Maws' and 'trueVThe belief...
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Paradise Lost: A Student's Companion to the Poem

Francis Blessington - 2004 - 161 pages
...theory: "which in Aristotles poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of...true Epic poem, what of a Dramatic, what of a Lyric" (Prose, 2:404—5). This reading should lead to conscious imitation: ". . . whether that Epick form...
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